Tuesday, March 31, 2009

Self portrait


Self-01
Originally uploaded by Josh Bobbitt

I couldn't think of a better way to learn than to do some self portraits.
I feel like that's incredibly vain, but nobody is a more cooperative model than me. Most were exceptionally blurry, but I really like a few, including this one.

It's a pretty simple setup. I'm shooting in aperture priority. EV is down 2 stops. Main is a softbox above me and camera right, close to the axis. Fill is a shoot-through below me, also near the axis. Clamshell-ish setup.

Pink on Pink


Blog 3-31-06
Originally uploaded by Josh Bobbitt

More spring nature shots. Hopefully I'll have something of a different tenor soon.

Monday, March 30, 2009

Sunday, March 29, 2009

Brown on Green.


Georgetown 2-21-02
Originally uploaded by Josh Bobbitt

Spring, it seems, is almost here. However, my fascination with the Sigma 70-300 is fading. That's what I used for this image. It's not bad in smaller sizes, but at full size, the sharpness is DEFINITELY lacking. I guess that's cheap glass for you.

Saturday, March 28, 2009

Brown on Blue.


Georgetown 2-21-08
Originally uploaded by Josh Bobbitt

More than anything, I liked the combination of colors in this shot.

Friday, March 27, 2009

Backlit pink.


Blog 3-27-06
Originally uploaded by Josh Bobbitt

I like the color and the backlighting.

However, it looks like the JPG compression introduced some clipping, maybe in the red channel. That's a bit frustrating.

Thursday, March 26, 2009

Wednesday, March 25, 2009

Spill


Blog 3-25-06
Originally uploaded by Josh Bobbitt

Found this almost entirely by accident somewhere I hadn't even planned on going, and I absolutely had to shoot it.

Tuesday, March 24, 2009

Monday, March 23, 2009

Damn you William Wordsworth.


Paris 3-22-08
Originally uploaded by Josh Bobbitt

This shot isn't that great, the English major in me just wanted a chance to reference Wordsworth.

Sunday, March 22, 2009

Saturday, March 21, 2009

Close


Blog 03-21-01
Originally uploaded by Josh Bobbitt

Nikon D80

2 SB-600's fired via CLS into white foam core reflectors.

Friday, March 20, 2009

Hope on a chain.


Blog 03-20-01
Originally uploaded by Josh Bobbitt

I've been trying to resist the urge to talk about the images I post, hoping that they'll speak for themselves, but I can't resist on this one.

It's cold again today, and I loved this picture as an expression of the hope that, soon, it'll be very warm, every day.

Wednesday, March 18, 2009

Shakespeare strictly not allowed.


Blog 03-18-01
Originally uploaded by Josh Bobbitt

It's still brown outside, although the green is creeping in, so I'm still kinda stuck indoors with whatever subject I can find. I'm probably getting maddening with all of these black and whites, but I really like them (if you can't tell). Hopefully soon, things around here will be green enough to start getting outside.

Sunday, March 15, 2009

Rose


Blog 03-15-01
Originally uploaded by Josh Bobbitt

Nikon D80

(Seems to have lost some detail in the JPG compression. Hm.)

Friday, March 13, 2009

Panorama


Blog 03-13-01
Originally uploaded by Josh Bobbitt

A pano. Stitched in Photoshop CS3.

Tree


Blog 03-12-01
Originally uploaded by Josh Bobbitt

Nikon D80 70mm 1/400 @ f/5.6, ISO 100

Thursday, March 12, 2009

Shoe


Blog 3-12
Originally uploaded by Josh Bobbitt

Nikon D80, 1/125 @ f/8.0, ISO 100

Wednesday, March 11, 2009

Blog 03-11-01


Blog 03-11-01
Originally uploaded by Josh Bobbitt

Found this goose hanging out with a bunch of his buddies yesterday. I think he knew I was taking pictures, so he posed for me.

Nikon D80 70-300 @ 220 mm, 1/125, f/8, ISO 100.

Tuesday, March 10, 2009

Tulip, Black and White


Blog 03-10-01
Originally uploaded by Josh Bobbitt

Nikon D80, 1/200, f/8, 300mm, two SB-600's fired via CLS.

Monday, March 9, 2009

Macro


Macro
Originally uploaded by Josh Bobbitt

It's warming up here, but it's still unbelievably brown outside, so I'm still relegated to interesting things I can find indoors.

Sunday, March 8, 2009

Blog 03-08-01


Blog 03-08-01
Originally uploaded by Josh Bobbitt

This is another old shot that I've had lying around, and feel like I've finally finished it.

I'm not really sure what that means for my work—whether it means I'm developing creatively, or whether it means I've become stagnant. Either way, I like the shot.

Nikon D80 18-135@22mm ISO 100, f/7.1.

Saturday, March 7, 2009

Alpha/Omega


Blog 2-26-01
Originally uploaded by Josh Bobbitt

This is one of those shots I keep returning to. I took it in May of last year, and each time I return to it, I interpret it a different way. It started as a full color shot on a (very sunny day), and now it's morphed into what you see here. I think this incarnation of the shot is the best one so far, though I think there's still room for re-interpretation.

Nikon D80, 50mm @f/1.8, ISO 100.

Wednesday, March 4, 2009

Tulip


Tulip
Originally uploaded by Josh Bobbitt

Took this shot upstairs.

Again, the background is my 36x48" softbox. Shot with my D80 and a Sigma 70-300 macro.

Lit with an SB-600 bounced off an umbrella camera right. Post-processed in LR and CS3.

Tuesday, March 3, 2009

GTD in my world.

Again, no shot today. Instead, just some thinking about getting things done and organization.

For Creatives, I've always that getting things done was a bit of a bugaboo.

We're often engaged in our medium for passion rather than income, and the lack of structure and corporate environment forces us to self-impose systems of organization and productivity.

I couldn't have cared less about either of those things until recently. Now, I'm doing my best to organize the creative part of my life. Now, I'm continually increasing my intensity in these areas of my life.

For me, work is a forgone conclusion. It takes care of itself. However, shooting, blogging, and the like is a different story. It takes intensity and intentionality on my part to develop those things.

Starting today, I've invested in a new, systematic approach to organize my goals, my needs, and to generally be productive, and get things done.

I think it's pretty simple and low-tech. I bought three Moleskines, ruled, 5x8.25". Each of these has its own role. The first, I've labeled "Shooting." This one goes with me into the studio (which, of course, is just our upstairs). The plan is to use it to write about shoots. Lighting setups, challenges, things that work, things that don't work. It's a way to organize and remember my shoots so that I can learn from successes and mistakes and get better. As a secondary goal, I hope those notes will help with this blog, and sharing some of my creative processes with a (hopefully growing) community of folks to refine those processes.

The second is labeled "Productivity." I intend to use it for all of the things I need to do—blog ideas, website idea, business ideas. Eventually, that may too broad of a category, but I think for now it will get the job done.

Lastly, I've labeled one for "Daydreaming." This is one is for long-term goals and things I don't yet have the ability to put into action. There are lots of things that bounce around in my head that I think would be great ideas for the future, or things that I need to work toward, but they often get lost. I hope this notebook will be a space where I can record and return to those things, hopefully finding action steps that will make those goals a reality.

So that's it, my new, low-tech system for GTD. I'd love to hear from anyone else. How do you get things done in your world? How do you stay organized? How to track short and long term goals and growth?

Monday, March 2, 2009

Review: Scott Kelby's 7-Point System for Adobe Photoshop CS3.

I've decided to do something a little different today. Instead of trotting out more images, I thought it would be nice to do a bit of a review. I don't know if it's going to really have all of the conventions of a review, or be exhaustive, or any of that stuff. Mostly, it's just going to be me talking about a book.

Scott Kelby's 7-Point System for Adobe Photoshop CS3.

Photoshop is a monster. A big daunting monster with a million buttons and menus and sliders and palettes. Tweak those buttons and menus and sliders and palettes the right way, and you can have the monster lying flat on its back, begging for you to rub its belly. Tweak those buttons and menus and sliders and palettes the wrong way, and the monster will chew through the best of images and lay waste to them, cranking out bit after bit of destroyed pixels.

Mostly, I'd always tweaked the monster the wrong way. I knew how to use a lot of what Photoshop could do, but the synthesis of my knowledge usually left my images a wreck.

So when I picked up Kelby's book, I was really expecting miracles. I just wanted the beast under control. I'd read Kelby's Digital Photography Book (both volumes) and I was impressed with his straightforward style, so I thought I'd see if he could help me tame the monster.

Kelby's stated goal is take all of those intimidating dialogues, and show folks like me how to harness them in order to improve our images (my paraphrase). He absolutely succeeds in that goal, and does it in a straightforward style that we've come to expect from Kelby.

I've found a lot of things in the world of photography to be less clear than they could be. I've bought light stands, umbrella holders, and softboxes, and I've scratched my head at why none of them include instructions. I've stood in front of equipment, feeling like photography was a secret cult, and I had not yet been initiated. I felt like the guy in the Ray Charles song, "Them That Got." "If you gotta have something before you get something, how you get your first is still a mystery to me."

Kelby's great strength is that he makes things unbelievably clear. Above all, I feel like this is the value of Kelby's book. There is incredibly little ambiguity. Most other Photoshop books have that moment when I stop, and realize that I'm clueless. The introductory book that I'm reading assumes that I know more about the program than I do. Kelby never assumes I know more than I do. That makes the books an incredible learning tool.

That is, first and foremost, what Kelby's book is, a learning tool. While he's got a 7-point system, his system isn't magic. It still requires skill and creativity to consistently apply his system. Editing photos with his seven steps still requires a good eye, and a judicious use of effects.

The best example is his treatment of "the Lab color move." Lab color, I found, was great for getting surprising punch out of my colors. However, Lab color can also turn photos into cartoon wonderlands where everything is oversaturated and silly looking. The skill of the artist is never removed from Kelby's equation.

Without a doubt, I recommend this book. If Photoshop still looks like a monster that chews up your photos, or even if you've begun to placate the monster, but feel you need help making him purr a little more, you can't go wrong with Kelby's approach.

Sunday, March 1, 2009

Covered Bridge, Switzer, KY.



I took this shot with my D80 and a Sigma 10-20mm back in the late summer of 2008. I've always liked the shot itself, but just recently did the crop you see here and layout with the whitespace/text. It's still one of my favorite shots. (And in color, no less.)